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Wednesday, May 28, 2014

Special Edition of #WednesdayYA: Adult Reads

As a lot of you guys know, Misty and I picked for our May read.  I finished it this past weekend and while parts of it are over the top, I enjoyed it on the whole.  It was definitely a good beachy read and a nice book to pick up as the weather warms up.

You also probably know that we'll be chatting about the book TONIGHT AT 7:30 P.M. CST.  You also know that I'm human which means I made a mistake and double booked myself.  If you don't , you may not know that I recently resigned from my job in Iowa, moved halfway across the country, and started an awesome new job!  I'll tell you more about that in an upcoming blog post (I literally just got my moving van full of stuff Saturday and have yet to set up Internet in my apartment.  I am working on it!).

I'm hoping to share my review of Beauty Queens next week, but for now it's time to vote on a June book! This month, Misty and I have decided to do a special edition: adult reads.  We both agreed that we wanted something fast because we'll be busy with work.  And this month, we're holding the vote on Instagram!  My account can be found and Misty's . It's between by Kazuo Ishiguro, by V.E. Schwab, and by Sarah Addison Allen.


Wednesday, May 14, 2014

#WednesdayYA Review of Please Ignore Vera Dietz + May Selection

Hi everyone!  I know I'm a week late in sharing this post, but things have been nuts here. If you haven't heard via Twitter, I recently resigned from my job in Iowa to accept an all new job (still a librarian position) halfway across the country.  More on that later,  but hopefully it explains why I haven't been blogging as much lately.

Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.

So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to?

Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.


(Summary from GoodReads)



I can’t believe I waited until 2014 to read an A.S. King book considering how many people I know rave about her books.  I decided Please Ignore Vera Dietz should be my first pick by this author because of all her books, it sounded the most like something I would typically enjoy.  Vera Dietz’s story is well constructed and well written, but a few details held it back from being as moving as it could be.

I got a really clear sense of setting throughout this entire book.  I could not only envision it easily, but also understand which parts made Vera happy and which made her feel frustrated, and which parts mad her feel some of both.  The Pagoda having its own perspective added some nice depth in characterizing Vera’s town and its people. In fact, King did a great job of balancing multiple perspectives throughout this story—we hear from Charlie and there are some passages and flowcharts from Vera’s father as well.  I especially loved the flowcharts because they added so much emotional impact and fit the father’s character.  There’s also some magical realism here that was especially well done.

If you’re not familiar with this title or King’s body of work as a whole (I know the premises of her other books, despite not having read them), this book addresses tough issues.  Abuse and adults who act inappropriately around teens are both in these books, and the depictions of these were so realistic that it felt scarily familiar.  When it comes to expressing the confusion and emotion that comes with these issues, King nails it.

Where Please Ignore Vera Dietz fell a bit flat for me was characterization.  For the most part, Vera was well developed, but some of the secondary characters weren’t as well done.  I think King didn’t want everything to be crystal clear, and I think that intention can be especially fair where magical realism is involved.  However, there are also times when I want a deeper rationale behind how a character has acted, and I felt like I was missing that here.

Overall, this book leaves me with a positive impression of King as a writer.  It seems like sometimes I either relate to the characters in a story or am impressed by the writing, but both are the case here.  The nit picky details that frustrated me probably won’t bother other readers, and I’d happily pass this off to readers who want a heavy contemporary.

Disclosure: I purchased a copy of this book. 

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For our May pick, we decided to let people who were at the April chat suggest titles from our #WednesdayYA shelves on GoodReads and draw one out of a hat. suggestion turned out to be our winner!
Also, Misty and I have realized that it is a rare month when both of us finish our pick by the third Wednesday of the month. In the future, all #WednesdayYA chats will be held on the last Wednesday of the month. This month's chat will be on May 28th.

Happy reading, and we look forward to seeing you at the chat!

Friday, May 9, 2014

Guest Post: Music For Writing To by Mariko Tamaki

 Hi everyone!  Today I get the pleasure of being part of the blog tour for This One Summer, a new graphic novel by Jillian Tamaki and Mariko Tamaki.  You can check out the full tour schedule .  Mariko is here to talk about the music he listens to when he writes.  Before we get to that, here’s a summary of the book, in case you haven’t heard of it.

Every summer, Rose goes with her mom and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mom and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. It's a summer of secrets and sorrow and growing up, and it's a good thing Rose and Windy have each other.

In This One Summer two stellar creators redefine the teen graphic novel. Cousins Mariko and Jillian Tamaki, the team behind Skim, have collaborated on this gorgeous, heartbreaking, and ultimately hopeful story about a girl on the cusp of her teen age—a story of renewal and revelation.

(Summary from GoodReads)


I know people who need complete silence to write, presumably so they can hear the muse, the voices in their heads, and so on.

To me, when writing, silence is one of many soundtracks.

Sometimes, on a spree, I need to unplug and read aloud to myself until it whatever I’m writing starts sounding like something other than mush.

Most times, though, I’m a music person, and to me the perfect tune, for me, is the ultimate enabler.  It is as important as a keyboard that doesn’t drive you crazy when your fingers hit the keys.

Here are some of my current favorites.

Happy Beats

Sometimes I listen to music because I just need to feel a little momentum, to hear what could be footsteps, the hustle and bustle of the world I’m writing about.  For this I have a long list on top of which, currently, is Happy by Pharrell.  There’s something about this song that just reads sunshine to me.  To me this is the backdrop for writing about friends and those happy moments where everything is mostly going alright.  Another great one for this mood is Little Dragon’s Shuffle a Dream, which has a nice steady beat to it.  If I want to pick up the pace a little bit I’ll put on LCD Soundsystem’s All My Friends.  If I’m finding the vocals distracting, which happens, I’ll put on Bernard Purdie’s If You Need Me, which is some drumming awesomeness.

Sad Beats

I don’t think you have to be sad to write sad.  Usually I get sad when I’m writing something for the first time, which is super fun for the people around me.  When I’m editing, or revisiting sad stuff, I’ll put a little sad music on so I can go there a little easier.  I’m really loving the soundtrack for the movie Cloud Atlas for this, which is a really heart string pulling collection. I’ve used the Canadian band Metric a lot, which has a lot of that electro 80’s feel to it, which may say that a lot of the sad things I write have a bit of an electro 80’s feel to them too, which I’m okay with.  On the less pop side there’s always Fleetwood Mac’s Landslide, which is a guaranteed magic bullet of sad for me, which is why I typically leave when it comes on at parties.

Summer Beats

For my most recent comic with Jillian, This One Summer, I drew pretty heavily on my Canadian Summer Tunes library, which was basically RUSH, The Beach Boys, Crosby Stills Nash and Young, and the Beatles.  Because my summer jams were my dad’s jams, and ever that will be.

Happy listening!

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Thanks so much Mariko for stopping by and sharing some of your favorite tunes!  Be sure to pick up This One Summer if you haven’t already, and keep an eye out for my review later this month.


Tuesday, May 6, 2014

Review of We Were Liars by E. Lockhart

A beautiful and distinguished family.
A private island.
A brilliant, damaged girl; a passionate, political boy.
A group of four friends—the Liars—whose friendship turns destructive.
A revolution. An accident. A secret.
Lies upon lies.
True love.
The truth.

We Were Liars is a modern, sophisticated suspense novel from National Book Award finalist and Printz Award honoree E. Lockhart.

Read it.
And if anyone asks you how it ends, just LIE.


(Summary from GoodReads)



We Were Liars is a book that you should go into blind.    Because of that and the fact that this is my first Lockhart book, I didn’t know what to expect going into this book, and there were so many times when I thought to myself, “This is good, but is this where it takes a turn for the downhill?”  Guys, I now want to purchase all of Lockhart’s backlist.  We Were Liars was a mindblowing, emotional read unlike anything I’ve read before.

Lockhart’s novel is atmospheric—the setting was always clear in my mind.  The prose in this novel is really lovely.  It took some getting used to, but I appreciated the reason Lockhart used it, which the reader doesn’t really get it until the end of the story.

The plot of this novel is really twisty.  I had to stop and have several “whaaaaat” moments.  I’m not sure if I’d really describe it as fast-paced, but so much is shrouded in mystery that it’s hard to put this book down once you start. Thank goodness I had to live text about it and several Twitter friends who’d read it.

The characters were really well done here. I got enough backstory that I felt like I knew each of them, but Lockhart told me enough about their present that I didn’t feel satiated.   I had to keep turning the pages to figure out what was up with them. Ultimately, each of their stories and their bonds with each other broke my heart.

I’ve never read a book quite like We Were Liars before, which is part of what makes it so remarkable.  It’s not a book you can DNF—trust me on this.  The ending shocked me, made me think, and made me cry.  This is a book that every YA reader should try.

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